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| Early gems from that irresistible voice! Love Is A Hurtin' Thing, Your Good Thing (Is About To End), Dead End Street, Show Business, Blues Is A Woman, more. |
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| 1 What Makes the Ending So Sad |
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| 2 Blues Is a Woman |
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| 3 Willow Weep for Me |
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| 4 Black and Blue |
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| 5 Kansas City |
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| 6 Tobacco Road |
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| 7 Stormy Monday |
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| 8 St. James Infirmary |
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| 9 I'd Rather Drink Muddy Water |
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| 10 The Shadow of Your Smile |
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| 11 Street Corner Hustler's Blues |
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| 12 World of Trouble |
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| 13 Memory Lane |
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| 14 Old Man's Memories |
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| 15 It Was a Very Good Year |
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| 16 A Whole Lotta Woman |
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| 17 Love Is a Hurtin' Thing |
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| 18 You Can Bring Me All Your Heartaches |
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| 19 Trouble Down Here Below |
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| 20 Dead End Street |
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| 21 Dead End Street |
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| 22 Show Business |
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| 23 Show Business |
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| 24 Scotch & Soda |
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| 25 My Ancestors |
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Album Review
True, this two-CD compilation of 1962-1970 tracks isn't the most balanced Lou Rawls retrospective, as it favors his early soul output and has nothing from his commercial peak in the late '70s with Philadelphia International. It's also true that if you favor Rawls at his earthiest, you'll likely find this the best Rawls compilation available. Not that Rawls ever got too down 'n' dirty, but these are the songs on which his bluesiest leanings came most to the fore, leavened by various degrees of jazz and pop. His three big Capitol hits ("Love Is A Hurtin' Thing," "Dead End Street," and "Your Good Thing (Is About To End)") are all here, but the 33-song program includes a good many other satisfying outings that most listeners will have never heard. There's the previously unreleased 1962 cover of Sam Cooke's "What Makes The Ending"; the odd soul-jazz reading of "It Was A Very Good Year"; and the first-rate soul of 1967's "You Can Bring Me All Your Heartaches." The somewhat weird "Down Here On The Ground" is soul-pop tinged by disoriented psychedelic allusions in the lyrics about wanting to fly, and a bad-trip swirl of strings; co-written by Lalo Schifrin and folk-pop one-hit wonder Gale Garnett, it was used in the "Cool Hand Luke" movie. It's not all soul; indeed, there are a few smoothies like "Willow Weep For Me" and straight jazz interpretations that are among the less interesting selections. On the other hand, cuts like "Dead End Street" and "Blues Is A Woman" show Rawls to be one of the more talented songwriters of hard-luck blues-soul-jazz tunes, though he penned just a handful of the cuts on this anthology. ~ Richie Unterberger, All Music Guide
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• Biography
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Other albums by: Lou Rawls |
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