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Queen Latifah
She's A Queen-A Collection Of Hits
Queen Latifah:  She's A Queen-A Collection Of Hits

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AMG Top Pick Listen Greatest Hits

Album Review

Released: 2002
Label: Motown
Selection #: 145685
U.N.I.T.Y., Paper, Just Another Day..., It's Alright (w/Faith Evans), Set It Off, Ladies First (w/Monie Love), She's A Queen, six more.
Listen RM WM
1 Ladies First F/Monie Love
2 She's a Queen F/Tha' Rayne [#]
3 Winki's Theme
4 Latifah's Had It Up 2 Here
5 U.N.I.T.Y.
6 Black Hand Side
7 Go Head [#]
8 Just Another Day
9 Set It Off
10 Paper
11 It's Alright
12 Come into My Houose
  
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Album Review

Even though she'd been a household name in the music and film world for nearly 15 years, by 2002 Queen Latifah still didn't have a compilation of her own. Then again, since she'd spent so much time in the world of television and film, Latifah had only released one album since 1993's "Black Reign". Finally Motown gave her the career treatment with "She's a Queen: A Collection of Hits", a brief collection that has most of her best performances but can't escape its perfunctory air -- there are no liner notes, only one fuzzy picture, and an overall lack of design quality. Motown did make a small gesture, though, by licensing three tracks from her first two albums (originally on Tommy Boy), including two of her most powerful performances: "Ladies First" and "Latifah'S Had It Up 2 Here." The compilation skips over the delightful De la Soul feature "Mama Gave Birth To The Soul Children," but does provide the best of her strong material from the early '90s like "U.N.I.T.Y." and "Just Another Day...," plus "Paper," her intriguing 1998 redo of "I Heard It Through The Grapevine," produced by Pras. The new tracks, however, won't join the Queen Latifah pantheon like the rest already have; "Go Head" finds her aping Missy Elliott in both sound and delivery, and there isn't much to recommend the others, either. With just a little more effort, Motown could've made this Queen Latifah collection a brilliant summation of her career; just as it had for almost 40 years, the label seemed more interested in reaching the charts than giving proper due to the artists who've already had success. ~ John Bush, All Music Guide

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