|
|
 |
| Raucous & raw! The Stooges reunite on Little Electric Chair, Loser, Skull Ring & Dead Rock Star, plus guest spots by Sum 41, Peaches & Green Day. Private Hell, more. |
|
|
|
| 1 Little Electric Chair |
|
|
| 2 Perverts in the Sun |
|
|
| 3 Skull Ring |
|
|
| 4 Superbabe |
|
|
| 5 Loser |
|
|
| 6 Private Hell |
|
|
| 7 Little Know It All |
|
|
| 8 Whatever |
|
|
| 9 Dead Rock Star |
|
|
| 10 Rock Show |
|
|
| 11 Here Comes the Summer |
|
|
| 12 Motor Inn |
|
|
| 13 Inferiority Complex |
|
|
| 14 Supermarket |
|
|
| 15 Til Wrong Feels Right |
|
|
| 16 Blood on Your Cool |
|
|
Album Review
One of the key rules of rock & roll is there are some artists you can never count out -- no matter how many lame records they may make, no matter how misguided their career direction might seem, they always hold the promise that they'll jump back in the loop and deliver the goods again. Iggy Pop delivered a solid one-two punch (for the first time in a while) with "Brick by Brick" and "American Caesar" in 1990 and 1993, but after ten years and three major duds in a row (the uninspired "Naughty Little Doggie" and the strikingly faulty "Avenue B" and "Beat 'Em Up"), you just had to wonder if maybe the World's Forgotten Boy had finally lost the magic touch for good. Of course, Iggy's career had always offered plenty of opportunities for such thinking, and just as he had in the past, Iggy came back to shut down the disbelievers with a solid slice of prime rock & roll called "Skull Ring". The big news is that, on four cuts, "Skull Ring" marks Pop's first studio collaboration with the Stooges since "Raw Power" in 1973, and thankfully Ron Asheton's gloriously primal guitar riffs sound as brilliant as ever, and mix with Iggy's bestial wail like gin and tonic; if "Little Electric Chair" and "Skull Ring" don't quite pick up where "Fun House" left off, they make it clear the monster that is the Stooges can still shake the Earth when they have a notion. If the rest of "Skull Ring" doesn't quite reach the same level of solar plexus impact as the Stooges cuts, Iggy flies high enough on the rock juice that this set blasts like an M-80 from start to finish; Iggy's road band, the Trolls, redeem themselves after their cringe-worthy debut on "Beat 'Em Up", electro-punk diva Peaches proves she's just libidinous enough to keep up with Iggy (and they goad one another into truly glorious rudeness), Green Day back the godfather of punk with spunk, enthusiasm, and lots of energy, and even Sum 41 give as good as they get (which is a lot more than you might expect from them). "Skull Ring" doesn't always capture Iggy at his best as a lyricist, but here what he says isn't half as important as how he says it, and he hasn't sounded this right -- and had music this potent backing him up -- in a decade, and the result is a big, sweaty, high-octane rock & roll session from a guy who practically defined the form. Like I said, you can't ever count Iggy out, and "Skull Ring" demonstrates why. ~ Mark Deming, All Music Guide
|
|
|
• Biography
|
Other albums by: Iggy Pop |
|
|
more  |
|
