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Ja Rule
Rule 3:36
Ja Rule:  Rule 3:36

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Album Review

Released: 2000
Label: Def Jam
Selection #: 136565
Sophomore set features a broader emotional range. Put It On Me (w/Vita), Between Me And You (w/Christina Milian), I Cry, Love Me Hate Me, Die, Grey Box, more.
Listen RM WM
1 Intro
2 Watching Me
3 Between Me and You
4 Put It on Me
5 6 Feet Underground
6 Love Me, Hate Me
7 Die
8 F*** You
9 I'll F***k U Girl (Skit)
10 Grey Box (Skit) N/A N/A
11 Extasy
12 It's Your Life
13 I Cry
14 One of Us
15 Chris Black (Skit)
16 The Rule Won't Die
  
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Album Review

On his second album, "Rule 3:36", Ja Rule makes only slight modifications to his style, yet they're nonetheless notable. His debut album, "Venni Vetti Vecci" (1999), had been harsh. Modeling himself to a certain extent after DMX, Ja represented the East Coast thug life, best exemplified by his "it's murda!" trademark holler. What set him apart from your average thug rapper, though, was his self-consciousness -- he was a spiritually tormented thug. Still, tormented or not, he was a thug and not the sort of character that radio or general audiences were willing to grasp. For the most part, Ja remains that way on "Rule 3:36". But there are a few moments here when he drops his tough-guy facade and becomes vulnerable -- even if it's only the slightest sense. It's these moments nonetheless that make "Rule 3:36" an improvement over "Venni Vetti Vecci". Furthermore, these same moments are what transformed him from just another wannabe DMX into a potential crossover artist and, even better, a rapper with a unique sense of character. To be more specific, the aforementioned moments are the duets: "Between You And Me," "Put It On Me," and "I Cry." Sure, these songs are obvious commercial efforts, calculated perfectly for crossover radio play, but they also bring a welcome sense of variety to "Rule 3:36". "Venni Vetti Vecci" didn't have lighter moments like these and catered to a niche audience as a result; on the contrary, this album has both lighter moments for radio and tougher moments for the thug crowd, and caters to a crossover audience as a result. ~ Jason Birchmeier, All Music Guide

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