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Ludacris
Back For The First Time
Ludacris:  Back For The First Time

$6.99
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Album Review

Released: 2000
Label: Def Jam
Selection #: 136601
Georgia rapper's rousing debut album. Game Got Switched, 1st & 10 (w/Infamous 2D & Fate Wilson), Get Off Me (w/Pastor Troy) and many more.
Listen RM WM
1 U Got a Problem?
2 Game Got Switched
3 1st & 10
4 What's Your Fantasy
5 Come on Over (Skit)
6 Hood Stuck
7 Get Off Me
8 Mouthing Off
9 Stick 'Em Up
10 Ho (Skit)
11 Ho
12 Tickets Sold Out (Skit)
13 Catch Up
14 Southern Hospitality
15 What's Your Fantasy [Remix][Mix]
16 Phat Rabbit
  
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Album Review

When Def Jam signed Ludacris in 2000, the Atlanta rapper had already released a regionally successful independent release ("Incognegro") with a hot single ("What'S Your Fantasy"), so all the powerhouse label did was repackage the album, re-release the single nationally, and throw in four big-name collaborations. It was a wise decision, as "Incognegro" certainly sounds like a major-label release, produced largely by talented newcomer Shondrae and to a lesser extent by top Southern rap producers Organized Noize. Plus, the four new tracks -- the Neptunes-produced club-banger "Southern Hospitality," the previously released Timbaland-produced "Phat Rabbit," the rowdy U.G.K.-featuring "Stick 'Em Up," and the provocative Trina- and Foxy Brown-featuring "What'S Your Fantasy" remix -- are album highlights, the sort of good-time collaborations that would become Ludacris' specialty hereafter. Elsewhere, though, "Back for the First Time" is a major-label album with an underground aesthetic. Producer Shondrae crafts Dirty South-style beats with a unique touch that resembles no other major-label producer circa 2000, and the sporadic guests -- I-20, Fat Wilson, Shawna, Pastor Troy, and 4-Ize -- are hungry underground rappers from the Atlanta scene. This array of Def Jam-payrolled big-name collaborations and previously released underground tracks ensures that "Back for the First Time" appeals to all, from the already-down Southern scene to the lucrative national mass market, and also makes it a little edgier at times than later efforts, which are sometimes marred by their pop-crossover ambitions. ~ Jason Birchmeier, All Music Guide

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