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| Dirty South's most distinctive mouth lives up to the hype on soph set. Saturday (Oooh! Ooooh!), Area Codes (w/Nate Dogg), Roll Out (My Business), Move B***h, etc. |
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| 1 Coming 2 America |
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| 2 Rollout (My Business) |
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| 3 Go 2 Sleep |
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| 4 Cry Babies (Oh No) |
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| 5 She Said |
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| 6 Howhere (Skit) |
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| 7 Area Codes |
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| 8 Growing Pains |
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| 9 Greatest Hits (Skit) |
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| 10 Move B***h |
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| 11 Stop Lying (Skit) |
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| 12 Saturday (Oooh Oooh!) |
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| 13 Keep It on the Hush |
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| 14 Word of Mouf (Freestyle) |
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| 15 Get the F*** Back |
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| 16 Freaky Thangs |
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| 17 Cold Outside |
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| 18 Block Lockdown [*] |
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Album Review
Ludacris' second album for Def Jam, "Word of Mouf", is a superstar affair that aims for mass appeal with a broad array of different styles. Nearly every track features some sort of collaborator, either hitmaking producers like Timbaland and Organized Noize, big-name rappers like Mystikal and Twista, hook-singing crooners like Nate Dogg and Jagged Edge, or fellow Disturbing tha Peace group members I-20, Shawnna, Lil' Fate, and Tity Boi -- and sometimes a combinations of these various ingredients. The resulting album is surely impressive, propelled by lively production, colorful guests, and an omnipresent touch of humor. Though the first two qualities are surely welcome, it's the lightheartedness that's most impressive. More hilarious than before, Ludacris lightens his lyrical style here, leaving behind much of thuggishness that had characterized his previous album, "Back for the First Time", in favor of witty puns and sly innuendoes. A particularly humorous highlight is the previously released (on the "Rush Hour 2" soundtrack) single "Area Codes," where Ludacris twists the word "hoe" a myriad different ways, usually to amusing results, over a sunny, good-spirited Jazze Pha production. Less humorous though likewise astounding is the lead single, "Rollout (My Business)," a rallying Timbaland production with a seemingly simple yet inescapable hook. Other highlights include the Organized Noize-produced booty-shaker "Saturday (Oooh Oooh!)," the Jagged Edge-sang come-on "Freaky Thangs," and the Beats by the Pound-esque posse track "Move Bitch." There's also a hidden bonus track here that's likewise an explosive collaboration, the Jermaine Dupri-led "Welcome To Atlanta." All of this obviously means there's a lot of highlights here, and that's certainly true; however, amid all of these various team-ups you do lose a little bit of the sincere, personal edge that had characterized much of Ludacris' debut. Even so, it's overall a worthy exchange, since there's something here on "Word of Mouf" for everyone, signaling Ludacris' leap from the Dirty South underground to the pop-rap mass market. ~ Jason Birchmeier, All Music Guide
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• Biography
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Other albums by: Ludacris |
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