| Brad Mehldau was another of the plethora of young jazz pianists in the '90s to adopt Bill Evans as their role model. Yet while the influence of Evans still thoroughly dominates Mehldau's introspective manner, harmonic constructions, and preferred format (the piano trio), he is one of the more absorbing and thoughtful practitioners within that idiom, and he is receptive to the idea of using material from the rock era (Paul McCartney's "Blackbird," for example). Though Mehldau's training is primarily classical, his interest in jazz began early. ... |